• wedding rings 婚戒

    By: WANG Qian 22-08-2011

    设计婚戒是我日常的主要工作,这比张大拉的博士论文更乏味
    按国内一般的商业标准,使钻石显大是要考虑的首要因素,而我对这个不感兴趣
    推敲钻石的高度、戒壁的宽度、内壁的弧度,研究戒指顶部与底部的配重关系……某种强迫症让我把大量的精力投入到很难在结果中体现的细节上,这直接造成了我低下的工作效率
    这样做的意义,如果按商业上的表述方法:你将拥有最舒适的戒指!
    可我觉得舒适与否得让人用一生去体验,因为这是婚戒。而我只能体验我和张大拉的婚姻
    还有一个好处:我竟然拥有了戒指内壁的专利!没准这样发展下去我还能成个发明家
    所以虽然乏味但我仍然乐此不疲

    My main daily work is to design wedding rings, which is more tedious than Lala’s doctoral dissertation.
    According to commonly commercial standard, it seems to make the diamond appear larger than it actually is a major factor. Although I am not interested in it at all.
    To refine height of diamond, weight of ring, radian of inner wall, to research the weight relation about topic and bottom of one ring…… I have an obsessive-compulsive. It makes me focused too much on the details which hardly represent in result. This is the immediate cause of loss efficiency.
    To do these is importance. Let’s talk in a commercial way to express, You will own the most comfortable wedding ring.
    In my opinion, people should experience, if they are comfort or not, through the time in all their life because they are wedding rings! And I could only experience my marriage with Lala.
    One benefit, I actually own one patent of inner wall design! As it developed, perhaps I will become a inventor !
    Thus, I am still do this boring work, and enjoy it very much.
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  • Gold Mountain

    By: WANG Qian 22-06-2011

    Gold Mountain ring by angs
    14K yellow gold, tin ore
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  • Watch Inspirations 2011

    By: WANG Qian 01-03-2011

    angs for SWAROVSKI GEMS™ at 2010
    for further information please browse following links:
    http://www.swarovski-gems.com/#/watch-inspirations-2011
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  • 福福猪受伤的心 Woo Woo Broken Heart

    By: WANG Qian 13-07-2010

    福福猪的同桌是个很有钱的小姑娘
    一不留神被抢钱蛙咬了一口
    福福猪觉得
    这一口咬在了他的心上……
    Woo Woo’s deskmate is a little girl from a wealthy family
    She was bit by Money Frog in carelessness
    But for Woo Woo,
    The bite was even worse than on his own heart……
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  • Consumer Electronics 2011

    By: WANG Qian 08-07-2010

    angs for SWAROVSKI GEMS™ at 2010
    for further information please browse following links:
    http://www.swarovski-gems.com/#/welcome
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  • Innovations 2011

    By: WANG Qian 12-04-2010

    angs for SWAROVSKI GEMS™ at 2009
    for further information please browse following links:
    http://www.swarovski-gems.com/#/welcome
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  • Ocean Rain

    By: WANG Qian 28-12-2009

    aquamarine necklaces for Wonder Love
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  • Innovations 2010

    By: WANG Qian 22-12-2009

    angs for SWAROVSKI GEMS™ at 2009
    for further information please browse following links:
    http://www.swarovski-gems.com/#/welcome
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  • Watch Inspirations 2010

    By: WANG Qian 30-11-2009

    angs for SWAROVSKI GEMS™ at 2009
    for further information please browse following links:
    http://www.swarovski-gems.com/#/welcome
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  • “ ink ” “水墨”

    By: WANG Qian 04-07-2009

    angs for LAN jewelry at 2008
    Our past design work, we call it “Ink”, now, has been named “as kind as water”, and coming out by LAN Jewelry.
    Miss. Zhang Ziyi has been one owner of it. If you want to follow this trend, go to LAN Jewelry store. It is in Beijing Yintai Centre, you can find it just beside Big Cartier. But, if you want to get a discount, I will only say that I can’t help you…
     
    我们的“水墨”作品,被LAN珠宝命名为“上善若水”。
    章子怡同学买了一件,如果你也想跟风,可以去北京的银泰中心找LAN珠宝的店,就在巨大的Cartier旁边。要打折的别找我,我也没辙。
     
    for further information please browse following links:
    http://style.sina.com.cn/fashion/2009-06-18/175743393.shtml
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  • Enlightened Watch Design Contest 2008

    By: WANG Qian 20-07-2008

    angs became the Most Innovative Awarded at Enlightened Watch Design Contest 2008!
    for further information please browse following links:
    http://enlightened.swarovski.com/#/watch-inspirations-2008-1
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  • Mirror • Appearance 镜 • 相

    By: WANG Qian 20-06-2008

    “Mirror · appearance” is a series of “ Experience jewelry”. It abstract oriental aesthetic form. But no longer confined to the embodiment mountains, rocks, cloud, water and so on. It is some purer and simple thing instead, like nature stone and metal. People’s imagination is expanded by this speciosity imago. The mirror-like metal make everyone who has the same chance to take part in the works, feeling that you and I are each other…
    “镜 • 相”系列体验首饰,是在东方“盆景”的审美形式之上将“山”与“水”进行了提炼,并不再局限于具象的山石草木、行云流水,取而代之的是更为纯粹的矿物原石和金属,用某种似是而非的意象扩展人们的想像力,并通过镜面的“金水”使环境与周围的人都有机会参与到作品中,互为你我。
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  • Gem Visions 2010

    By: WANG Qian 09-06-2008

    angs for SWAROVSKI GEMS™ at 2008
    for further information please browse following links:
    http://www.swarovski-gems.com/#/gem-visions-2010
    http://www.swarovski-gems.com/#/gv-2010-china-special
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  • Gem Visions 2009

    By: WANG Qian 20-07-2007

    angs for SWAROVSKI GEMS™ at 2007
    for further information please browse following links:
    http://www.swarovski-gems.com/#/gem-visions-2009
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  • view 景色

    By: WANG Qian 20-05-2006

    The content of the view often comes from the view itself, meanwhile it also different by appreciators’ diverse visual angle. If the view could show itself by its own content and manner, it would be an attitude expression, no matter with the reflection the appreciators.
    This is a consideration which is about the relationship between the jewelry and people. Without the principal part – people, the work would be worthless. Because through the wearing, one mutual action can be built between the wearer and appreciators. Besides all of that, the way of wearing also can affect both appreciators’ visual angle and the view’s content; Moreover, the work and the wearer together, can be looked as one part of the view.

    景色的内容取决于景物本身,同时也视乎观赏者的视角不同而有所变化,如果风景可以决定自己呈现的内容与方式,不论观者欣赏与否都是一种态度的表达。这是关于首饰与人体相互关系的思考,离开了“人”,作品也许不具备任何意义,但通过佩带,它便使佩戴者与观赏者之间取得了一种互动——佩戴者的佩戴方式决定观赏者的视角和“景色”所呈现的内容;而观赏者则可以将作品与佩戴者一同视为“景色”的一部分。
    舍弃所有纯装饰性的表象,用精炼的语言凸显主体的单纯——将作品的展示寄托于具体的“人”,可以说“景色”是饰品,但更重要的景色却是“景色”所展示出来的人的情感与特质。
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  • Chinese medicine 药

    By: WANG Qian 20-05-2005

    该组设计分为“绝色倾城”与“素面朝天”两个系列,均是以中国传统草药为主要素材的首饰设计作品。
    将中草药巧妙地作为饰品佩戴,既具有超越当代的审美品位,又符合中华民族内在的传统文化心理。通过艺术加工,将具有具体功能和使用价值的药材视觉化、符号化,使其作为材质的肌理、色彩、气味等特征更加直观的,令人们摒弃以往的惯性认识,更加真切的体会材料本身所具备的美感,进而有机会反思那些被我们所忽视的事物的魅力。
    作品以独特的艺术形式承载中华药理文化的人文精髓,于形式中传递精神的外化,又用深厚的文化内涵深化作品的精神意义。
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  • red 生长的红

    By: WANG Qian 20-06-2004

    All along, the Oriental culture has been flavor yearning for the world because her soft subtle. In this series of works are my expression and attempts with new forms of traditional Chinese aesthetic feeling and explore. Humble, rounded sentiment in the thick of life into publicity, it will deeply attracted your attention, speaks tirelessly to you a long old story…
    In China, material of traditional jewelry often is jade. Because Chinese people believe that jade with all the excellent quality of a person: It smooth, moisturizing, not sharp, express self-restraint elegance and representatives with people; texture hard on behalf of the firm belief and credibility; and, there is always been a profound interactive relationship between jade and the human body and spirit. Hence as the saying goes “gentlemen’s statement read, the temperature of their Scaramouche”. This is what I tried to explore. How person in the form of deep and Jewelry to combine, that is the relationship between “life” and “presence”. In this series, I complex of traditional aesthetic, in particular from China constantly “Harmony” traditional philosophy of nutrients from Orient. I am trying to find a more direct and more contemporary language. Then it will performance of this profound with deep emotion, and looks forward to greater access to the scope of the resonance.

    一直以来东方文化都以其柔和含蓄的韵味为世人所向往,这组作品便我是对中国传统审美情结与表达形式的全新探讨和尝试。将张扬浓烈的生命形式融于谦和、圆润的情怀中,它深深吸引你的目光,将悠远的故事娓娓道来……
    在中国,传统首饰的选材中多以玉为主,这是因为中国人认为玉具有人们对于一个人而言所能具备的所有的优秀品质,它光润不尖锐,代表含蓄优雅与人为善;质地坚硬代表坚定的信念和信誉;它与人的身体及精神之间存在着某种深刻的互动关系,因此有“言念君子,温其如玉”的说法。这也正是我试图探讨的人体内部更深层与饰品表现形式的结合,也就是“生命”与“存在”的关系,在这套作品中我更多地从东方的传统审美情节出发,特别是不断汲取中国天人合一传统哲学思想的养分,试图通过更直接、更具现代感的表现语言将这种深邃却不失单纯的民族深层情感唤醒,以期在更大的范围中获得共鸣。
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  • silver

    By: WANG Qian 20-03-2004

       

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About works

We gradually learn to look at the world through the tiniest point…We slowly became patiently to wait for miracle, bit by bit, comes true…我们渐渐学会从微不足道的角度看待世界……我们慢慢有耐心等待奇迹一点一点的发生……
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